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Published in 1958, J.B. is a play in verse based on
the biblical story of Job. It represents Archibald MacLeish's responses to
the horrors he saw during two world wars, including the Holocaust and the
bombings of Hiroshima and Nagasaki. The author explains in the foreword to
the acting edition of his play that turning to the Bible for a framework
seems sensible ''when you are dealing with questions too large for you
which, nevertheless, will not leave you alone."
J.B. tells the story of a twentieth-century
American banker-millionaire whom God commands be stripped of his family
and his wealth but who refuses to turn his back on God. MacLeish wondered
how modern people could retain hope and keep on living with all the
suffering in the world and offered this play as an answer. J. B. learns
that there is no justice in the world, that happiness and suffering are
not deserved, and that people can still choose to love each other and
live.
MacLeish had been earning his living as a poet for fifty years before
this, his third verse play, was published. Shortly after the publication
of the book, the play was produced on Broadway and underwent substantial
revisions. There are, therefore, two versions of the play available for
readers: the original book published by Houghton Mifflin and the acting
script available from Samuel French.
Both were published in 1958, and neither has ever gone out
of print. J.B. won the Pulitzer Prize for drama in 1959 (MacLeish's
third Pulitzer), as well as the Tony Award for best play. More important,
the play sparked a national conversation about the nature of God, the
nature of hope, and the role of the artist in society.
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